In joy or sadness flowers are our constant friends. We eat, drink, sing, dance, and flirt with them. We wed and christen with flowers. We dare not die without them. We have worshipped with the lily, we have meditated with the lotus, we have charged in battle array with the rose and the chrysanthemum. We have even attempted to speak in the language of flowers. How could we live without them?
― Kakuzo Okakura, The Book Of Tea
I’m pretty sure I once signed up for a WordPress reminder in an attempt to keep up with a self-imposed weekly blogging schedule, but it seems to have turned itself off – probably because I failed too many times to publish a new article on time. I have a few projects on the go right now that keep me busy enough, but as I still like to share what I’m doing (and find it really useful to dig deeper and structure my reflection) here’s a quick post based on research I’ve undertaken for an upcoming event.
(I’ve also just started using Tumblr for very quick posts as an experiment – so far so fun).
A mandala is a spiritual symbol – usually a geometric pattern in the shape of a circle – that represent a microcosmos of the universe. For a more accurate definition, Wikipedia is probably a good start – and for a modern artistic interpretation, American artist Kathy Klein’s dānmālā practice is a great example.
The name dānmālā comes from the vedic sanskrit words dān: the giver and mālā: garland of flowers. Her website has a huge image gallery of pieces using flowers and other organic materials, but also mandalas created with stones, shells and sweets.
‘Red’ Hong Yi – the artist who ‘loves to paint, but not with a paintbrush’ – is a Malaysian artist-architect, who started working with everyday materials when she moved to Shanghai, a city her family had left in the early days of the Cultural Revolution.
For the purpose of my research, I’m especially interested in her series of birds made of flowers (above), using a wide palette of petals, leaves and branches. She also has an extensive portfolio of portraits made from mundane objects – chopsticks, melted candles, shuttlecocks, sunflower seeds… – and has created exquisite daily scenes on a white plate only using food ingredients for a 31-day creativity challenge. She’s very active on Instagram, where she publishes her experiments with new themes or materials.
Neither drawing from geometrical patterns nor from figurative representation, Rebecca Louise Law’s large-scale installations create immersive sensory experiences with hundreds of flowers – often upside-down, always strikingly delicate yet powerful.